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It's
No Mystery Why the Mystics Finally Arrived
By Sally Jenkins
Monday, August
12, 2002; Page D01
We all have
to go to work when we don't want to. Whether with a headache,
with a hangover, jet lagged, or sick, everybody has days when
we would rather stay home. Mostly, we show up. Athletes get paid
more than the rest of us to show up, because pain is their occupation:
Their hands hurt, their backs hurt, their necks hurt, and their
butts hurt. They're supposed to be achy and tired. It's their
living.
Not all of
them show up. High-priced underachievers saunter through the seasons,
athletes-as-aesthetes who suffer an endless succession of tweaks
and take to their beds. Ex-Redskin Michael Westbrook comes to
mind, as does the former Wizard Courtney Alexander. Then there
are those who give what's expected of them but nothing more, and
in the end create entropy rather than energy. Juwan Howard. Chamique
Holdsclaw used to be one of them. But this season Holdsclaw has
turned herself into one of the most respectable laborers in the
pro leagues. She has lifted an entire franchise squarely onto
her back and carried it to the WNBA playoffs, and she's done it
with two sprained ankles and two sore knees.
You may not
care about the Mystics or the WNBA as a whole, but you should
care about Holdsclaw, because her full-body sacrifice on behalf
of the Mystics is a kind of a market correction. Watch Holdsclaw,
and you suddenly become aware, by contrast, of just how little
some other athletes put out, or take on. She is playing on sheer
integrity and motive because her legs are shot and not fully cooperative.
Off the court, she wears rattling ice bags and she has discolored
marks all over her body, and she walks hunched over, like an arthritic.
But she restores faith; even when she isn't at her best, she manages
to try her best. You can see her for $8, the price of an upper-deck
seat at MCI Center. She gives great return on the buck.
Holdsclaw
is not just doing the work, she is doing the dirty work. She is
averaging more than 20 points and 10 rebounds a game, mopping
up every loose ball around the boards, and fighting through interior
defenses. The other night against the New York Liberty she helped
clinch a playoff berth when she hauled down nearly half of the
team's rebounding total, went 10 for 10 from the free throw line
and scored a full one-third of its points. She has been doing
this kind of thing night in and night out, all season long, through
injuries, the death of the grandmother who raised her, and a seven-game
losing streak.
"I tell
my team, 'Look, you're going to get tired,' "she says. "
'The other team is tired, too. It's who deals with being tired.'
"
One of Holdsclaw's
more interesting qualities is that she is suspicious of herself,
of her own capacity for indolence. In response, she seeks out
people who push her, and this explains her curious relationship
with her former Tennessee coach, Pat Summitt. It's no accident
that Holdsclaw has become the player she should be in the same
season that Summitt became a consultant for the Mystics, and the
demanding Marianne Stanley was named head coach.
Holdsclaw
doesn't trust anyone who isn't demanding.
It's by now
well-known that Summitt gave Holdsclaw what-for, told her bluntly
that she hadn't lived up to her talent, "And you and I both
know it," she said. Holdsclaw had spent her first three years
in the league floundering, gaining weight, and fussing over her
feet, prone to stress fractures. What's not so well-known is that
Holdsclaw called Summitt and instigated the conversation. She
knew exactly what Summitt would say and went looking for it. She
doesn't crave approval -- she craves disapproval. She knows it
makes her better. (If only Allen Iverson felt that way about Larry
Brown.) The result is that Holdsclaw recovered her ambition. Holdsclaw's
fear of laziness has always been aspiration in disguise; she is
not by nature lazy.
As a girl
growing up in the bleak Astoria Houses housing projects in Queens,
Holdsclaw played in all seasons, shoveling snow off the courts
in winter and shooting until way past dark. She searched the city
for bigger and better competition, wandering to other housing
projects and riding the bus across town, where she would play
against grown men, seeking out the hardest guys on the most competitive
courts.
"They
took it at her, and they took it at her hard," remembers
Ron Artest of the Chicago Bulls, who grew up playing with her
on the same courts. When Holdsclaw was 13, she played with Artest
on a Boys and Girls Club team, and started ahead of him. "It
was crazy how good she was," he said. "She'd take people
to the hole, she'd play down low. Everybody respected her."
That's the
Holdsclaw who finally has shown up in the WNBA -- the same Holdsclaw
who won three straight championships at Tennessee. Were it not
for ankle injuries that caused her to miss nine games, she would
be the league's official leading scorer and rebounder. She has
become the player she was hired to be, and taken responsibility
for the fortunes of the franchise, both good and bad. "One
thing I realized from the sidelines was that the coaches have
no control," Holdsclaw says. "You have to accept responsibility
and go out there and do it yourself."
Holdsclaw
offers no excuses for the late-season losing streak -- they had
lost eight of nine before last night's 60-54 win at Cleveland,
even as she returned from her injury. "You could make 101
excuses," Holdsclaw says. "I got hurt, or one person
didn't play well, or another didn't play well. But the bottom
line is that we lost our poise."
How far the
Mystics can progress in the playoffs is uncertain; they are fighting
to finish second in their conference and retain a home-court advantage.
But there is no doubt that the Mystics are on the verge of turning
the corner as a franchise, thanks to the fact that Holdsclaw has
turned the corner as a pro. Rookies Stacey Dales-Schuman and Asjha
Jones need to do the same. Dales-Schuman has lacked stamina and
Jones has played panicky, but both have All-Star written all over
them if they follow Holdsclaw's example. One of these days Dales-Schuman
won't lose her legs so easily, and Jones will settle down. When
that happens, the Mystics will be regular contenders.
Playing hurt
is generally dumb and dangerous. But playing through limited pain
does have a real use: You learn to push on. Its reward is the
ability to place setbacks and external disappointments in perspective,
so that when a blow falls, the world doesn't end. The athlete,
and the team, that learns to play with pain is not so easily destroyed.
They still show up for work the next day. The term for this sobering
concept is maturity, and Holdsclaw has acquired it.
© 2002
The Washington Post Company
Printed without
permission from the Washington Post website. Read the story along
with additional history on this story at the Washington
Post website.
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